Interview with Composer Gillian Simpson
In the world of visual effects (VFX), Gillian Simpson is making a name for herself. Originally from Scotland, Simpson has honed her skills extensively in the field, with a career that spans over 15 years in editing and directing, particularly in documentary and children's television.
Simpson's impressive resume includes credits on films like Isle of Dogs, The French Dispatch, Dumbo, Venom, The King's Man, and HBO's House of the Dragon. However, her recent claim to fame is her work on House of the Dragon, where she used Mocha Pro extensively.
Despite her extensive career, there is no publicly documented use of Mocha Pro or Nuke, specialized tools for tracking and compositing in VFX workflows, in her projects or career path. Her listed credits mostly emphasize editing and directing rather than VFX or compositing roles.
Nevertheless, Simpson's passion for VFX shines through. Her favourite VFX shot is from Gareth Edwards' film Godzilla during the halo jump through the clouds. If given the opportunity, she would collaborate with Edwards, citing his film Monsters as the inspiration for her career in VFX.
Simpson's workspace is adorned with a secret stash of dark chocolate and is often filled with the aroma of coffee and sweet snacks during busy work sessions. When creativity starts to wane, she finds solace in visiting galleries, appreciating the work of J.M.W. Turner, and immersing herself in the Tate gallery's collection of unusual art and inspiring exhibits in the Turbine Hall.
Simpson is also a fan of pop culture, enjoying Marvel TV shows like The West Wing and Ted Lasso. Recent films she has enjoyed include Promising Young Woman, Everything Everywhere All At Once, and Spider-Man: No Way Home.
Recognising her achievements, Simpson is proud of House of the Dragon and a film called Silent Night that she worked on during lockdown. If she could offer advice to her younger self, she would encourage being more confident. Before starting a new project, she ensures to update her computer and software, and relies on Nuke and Mocha Pro's award-winning planar tracking plugin.
In summary, while Simpson's career has been primarily in editing and directing, her recent work on House of the Dragon showcases her growing interest and talent in VFX, particularly with Mocha Pro. For a deeper insight into her VFX-specific experience, a specialized industry database or direct professional profile might provide more detailed information.
Simpson has a growing interest in technology, particularly in the field of visual effects (VFX), as demonstrated by her extensive use of Mocha Pro on her recent project, House of the Dragon. HerWorkspace is equipped with Nuke and Mocha Pro, specialized tools that she relies on for their award-winning planar tracking plugin.
